From Robertson’s racist jam jars to murderous old ballads, the British-Ghanaian artist tackles notions of empire and belonging – with a gamer’s eye. He talks about his epic new film, a voyage through post-Brexit Britain
ncG1vNJzZmivp6x7tbTEoKyaqpSerq96wqikaKiipLOquMRomKecoprEbrnApZw%3D